Natalia Read Profile

Profile Overview

Natalia Read

  • Female
  • Tyne and Wear, United Kingdom
Playing Age
26 - 36
Height
5′ 6″
Ethnicity
White
Eye Colour
Green
Hair Colour
Brown
Passport
Yes

About Me

Natalia wrapped up on new feature film "Wenlock Road" in 2025 Filmed/Directed by George Heron. She played the role Viv playing a shop keeper in a 1970s setting. This can be seen in 2026 .

Natalia is passionate for TV&FILM ,She also has experience within live presenting as this was her full time job.

- Valid Passport
- Bases: Yorkshire, Liverpool, London,Manchester & North East
DBS - Yes
Languages
English
Accents (United Kingdom)
Yorkshire

Drama|Reel

Comedy|Reel

Acting workshop|Reel|2025

Commercial|Reel

Music Video|Reel

Gossip|2025

2025 Wenlock Road - ( post production)
Type
Film (Feature)
Role
Viv
Director / Company
George Heron
Stageright Newcastle
2025 The Elf Academy
Type
Other
Role
Elf
Director / Company

The bakehouse factory
2023 Redcar and Cleveland
Type
Commercial (TV, Online, Still)
Role
Business Partner ( feature role )
Director / Company

Wander films uk
2023 Nike WWC23 - television
Type
Commercial (TV, Online, Still)
Role
Linesman
2023 Zulu 4 zero ( DRAMA)
Type
Film (Feature)
Role
Cheryl Mettrick
Director / Company
George Heron
Stage right production
2022 Psychopath Horror
Type
Other
Role
Nurse ( Feature Scare actor )
Director / Company
Christiano Crawford
Psychopath
2022 The Unlock
Type
Film (Feature)
Role
Real Karen
Director / Company
Simon Tate
Blackout film LTD
2022 The happiest man alive
Type
Film (Short / Student)
Role
Mia
Director / Company
Delyan Mihaylow
University of York
2022 Three women
Type
Film (Short / Student)
Role
Ava
Director / Company
Tamsin Stokoe
2022 How deep is your love ( Music Video)
Type
Other
Role
Lead role
Director / Company
Zontar Smith
Light engine films
2021 Yard Act - The OVERLOAD ( Music Video)
Type
Other
Role
Charva
Director / Company
James slater
Zomdic films

Training

2024 Mark Jermin Stage School
Role
Screen Acting
2023 Acting academy
Role
2 year course .

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