Michelle Robertson Profile
- Playing Age
- 40 - 50
- Height
- 5′ 8″
- Ethnicity
- White
- Eye Colour
- Blue
- Hair Colour
- Brown
- Passport
- Yes
- Driving Licence
- Yes
About Me
Having trained and worked professionally as a theatre actor for over 30years in numerous countries (Australia, Germany, USA, UK), it has been the last 6years where I've begun working on screen.
A recent short film, Grief Rider, has been nominated for multiple awards & is ear-marked for Feature Film production. I'm currently in Production for Narcissists Anonymous & '15' has just been released.
I completed a highly successful full 2023 Edinburgh Fringe theatre run at the Assembly Rooms (& a regional tour) of An Afternoon with the Ladies of the Cliff Richard Fan Club after playing Caesonia in the critically-acclaimed award-winning production of Caligula, Ruth in the heavy-themed production of Blood In The Water and Jean in the addiction-based production Enough Is Enough in Australia prior to moving to London mid-2023 with my family.
My career ranges from heavy dramas, to ridiculously-fun comedies, immersive Company Ensemble work, Musical Theatre productions & everything in between.
A recent short film, Grief Rider, has been nominated for multiple awards & is ear-marked for Feature Film production. I'm currently in Production for Narcissists Anonymous & '15' has just been released.
I completed a highly successful full 2023 Edinburgh Fringe theatre run at the Assembly Rooms (& a regional tour) of An Afternoon with the Ladies of the Cliff Richard Fan Club after playing Caesonia in the critically-acclaimed award-winning production of Caligula, Ruth in the heavy-themed production of Blood In The Water and Jean in the addiction-based production Enough Is Enough in Australia prior to moving to London mid-2023 with my family.
My career ranges from heavy dramas, to ridiculously-fun comedies, immersive Company Ensemble work, Musical Theatre productions & everything in between.
Accents
Australian
Accents (United Kingdom)
English, standard, RP
Three Billboards Over Ebbing, Missouri scene
Mother Dearest short film
Steel Magnolias scene
The Haunting of Hill House scene
Credits
Year | Production | Role | Director Company |
---|---|---|---|
2024 |
The Truth About The Whale In The Sky
|
Luna's Mum |
Gea de Lellis
University of Greenwich |
2023 |
Evocation
|
Brenda |
Victor Canil
JMC Academy of Film & Television |
2023 |
Lost Hope
|
Renae |
Dagmar Scheibenreif
|
2023 |
Blood In The Water
|
Ruth |
Celine Khoury
Thespian Theatre |
2023 |
An Afternoon with the Ladies of the Cliff Richard Fan Club, Sutton Coldfield 1995
|
Pat |
Clemmie Reynolds
Opportunity Productions |
2022 |
Grief Rider
|
Mother |
Alec Uittenbosch
Brunga Media |
2022 |
Mother Dearest
|
Mother |
Helen Armanios
Swinburne University |
2022 |
Volume Control
|
Mother |
Sam Rooney
Melbourne Polytechnic |
2022 |
The Invisible Sword
|
Rafqa |
Glen Kalem
Thespian Theatre |
2022 |
Enough Is Enough
|
Jean |
Kieran Carroll
Typefaster Productions |
2022 |
Caligula
|
Caesonia |
Rob Johnson
Burning House / Theatreworks |
2021 |
The Process
|
Mother |
Brodie McCuskey
Swinburne University |
2021 |
Kidnapped
|
Mother |
Sophie Nguyen
La Trobe University |
2021 |
Meet The Parents
|
Mother |
Daniel Spiteri
|
2021 |
Baby, There's A Storm Coming
|
Tarot Reader |
Harry Brakha
VCA |
2021 |
V For Vendetta
|
Delia |
Sahan D
SAE |
2021 |
Foodie
|
Mother |
Sean Smith
Australian Film Base |
2021 |
Apostasy
|
Mrs Mcloughlin |
Siobhan Paterson
Swinburne University |
2021 |
Fear
|
Mother |
Emma Sproule
Dionysus Theatre |
2021 |
Suburban Hell
|
Mother |
Brodie McCuskey
Swinburne University |
2021 |
Raven's Song
|
Emily |
Andrew Archer
La Trobe University |
2021 |
Enough Is Enough
|
Jean |
Kieran Carroll
Typefaster Productions |
2021 |
Romeo & Juliet
|
Friar Lawrence |
Shaz Mullens
FRESH Theatre |
2021 |
Truth Is Longer Than A Lie
|
Andrea |
Kieran Carroll
Typefaster Productions |
2020 |
Owl & The Albatross
|
Jane |
Sarah Branton
Theatreworks |
2020 |
When The Light Leaves
|
Alice |
Jayde Kirchert
Midsumma Festival / Gasworks |
2020 |
The Pact
|
Anne |
Peter Blackburn
Bitten By Productions |
2019 |
Housesitting
|
Diane |
Robert Fantozzi
Fantozzi Productions |
2019 |
Nothing Is Forever
|
Me |
Melanie Thomas
Frankston Arts Centre |
2019 |
Blackrock
|
Diane |
Nicola Bowman
St Martin's Theatre / Ebbflow Productions |
2019 |
When The Light Leaves
|
Alice |
Jayde Kirchert
La Mama Theatre |
2019 |
AJAX
|
Tekmessa |
Rob Johnson
The Old 505 / Burning House |
2019 |
The Critic
|
Susan |
Rose Flanagan
Melbourne Fringe / Bitten By Productions |
2018 |
Figment
|
Company |
Jolyon James
MAPA |
2018 |
The Persians
|
Company |
Rob Johnson
Burning House |
2018 |
Nigella
|
Nigella |
Melanie Thomas
Frankston Arts Centre |
2018 |
Disgust
|
Em |
Eryn Kimberley
La Mama Theatre |
2018 |
The Magnolia Tree
|
Deborah |
Michael Gray Griffiths
Wolves Theatre |
2018 |
Truth Is Longer Than A Lie
|
Andrea |
Kieran Carroll
Typefaster Productions |
2017 |
All Of Me
|
Work Colleague |
Sean Hellend
Mindful Productions |
2017 |
Hands Across The Sea
|
Mrs Wadhurst |
Emma Sproule
Dionysus Theatre |
2017 |
The Browning Version
|
Millie Crocker-Harris |
Emma Sproule
Dionysus Theatre |
2017 |
Thirty Nine
|
Company |
Shaz Mullens
FRESH Theatre |
2017 |
ERIC
|
Julie |
Catherine Holder
The Owl & Cat Theatre |
2016 |
The Maids
|
Claire |
Luisa Hastings-Edge
MAPA |
2016 |
Lysistrata
|
Lysistrata |
Emma Sproule
Dionysus Theatre |
2016 |
Fear
|
Mother |
Emma Sproule
Short & Sweet Festival |
2016 |
A Doll's House
|
Nora |
Jane Montgomery Griffiths
MAPA |
2016 |
Dinner With Addiction
|
Sin |
Gab Savrone
The Owl & Cat Theatre |
2016 |
Death Comes Calling
|
Ensemble |
Nate Gilkes
MAPA |
2016 |
Sweeney Todd
|
Ensemble |
Evan Knoble
Astral Theatre Co |
2016 |
The Wizard of OZ
|
Ensemble |
Ros Williams
Panorama Theatre |
2015 |
Romeo & Juliet
|
Montague |
Emma Sproule
Dionysus Theatre |
2015 |
Macbeth
|
Witch #1 |
Sharon Maine
Page To Stage |
2015 |
The Sound of Music
|
Ensemble & Sing-a-long-Night Host |
Billy-Jo Royle
Astral Theatre Co |
2015 |
Joseph & His Amazing Technicolour Dreamcoat
|
Ensemble |
Gabe Noonan
Astral Theatre Co |
Training
Year | School | Course |
---|---|---|
2021 |
The Australian Film & Television Academy (TAFTA)
|
Professional Screen Acting |
2021 |
The Australian Film & Television Academy (TAFTA)
|
TV Acting Masterclass (Invitation-only course) |
2021 |
The Australian Film & Television Academy (TAFTA)
|
National Actors Intensive - Screen |
2020 |
The Australian Film & Television Academy (TAFTA)
|
USA General American Accent (8week course) |
2020 |
The Australian Film & Television Academy (TAFTA)
|
RP (English) Accent (8week course) |
2019 |
Australian Stage Combat
|
Intensive Program - Basic Stage Combat training |
2018 |
Monash University
|
Bachelor of Arts (Theatre/Performance Major) |
2018 |
Belarus Free Theatre
|
Masterclass in Solo Performance |
2018 |
Belarus Free Theatre
|
Masterclass in Directing |
2017 |
Monash Academy of Performing Arts
|
Masterclass in Suzuki Technique (8week course) |
2017 |
Malthouse Theatre
|
Internship - Dramaturgy/Literary Management |
- Playing Age
- 40 - 50
- Height
- 5′ 8″
- Ethnicity
- White
- Eye Colour
- Blue
- Hair Colour
- Brown
- Passport
- Yes
- Driving Licence
- Yes