Emma Parrott Profile
- Playing Age
- 16 - 24
- Height
- 5′ 2″
- Ethnicity
- White
- Eye Colour
- Brown
- Hair Colour
- Brown
- Passport
- Yes
- Driving Licence
- Yes
About Me
I am a final year student on PPA’s Musical Theatre degree course, having previously completed an HE Certificate in Musical Theatre at Italia Conti.
My credits whilst training include Captain Beverley Bass in Come From Away and Therese in The Baker’s Wife in my final-year productions, as well as Vocal Captain for Beauty and the Beast (Swing Project). I recently completed a successful professional pantomime contract as lead female. Vocally, I am a strong alto with a powerful belt, and am also comfortable singing mezzo-soprano and soprano repertoire. I am a versatile, intelligent actress with a rich and expressive speaking voice. I also have experience in voice acting and access to a professional home recording studio.
I am a very hard-working, determined, and motivated performer. My infectious love of musical theatre, combined with a highly organised and professional approach, makes me a valued team player and I bring enthusiasm, generosity, and commitment to every rehearsal room.
My credits whilst training include Captain Beverley Bass in Come From Away and Therese in The Baker’s Wife in my final-year productions, as well as Vocal Captain for Beauty and the Beast (Swing Project). I recently completed a successful professional pantomime contract as lead female. Vocally, I am a strong alto with a powerful belt, and am also comfortable singing mezzo-soprano and soprano repertoire. I am a versatile, intelligent actress with a rich and expressive speaking voice. I also have experience in voice acting and access to a professional home recording studio.
I am a very hard-working, determined, and motivated performer. My infectious love of musical theatre, combined with a highly organised and professional approach, makes me a valued team player and I bring enthusiasm, generosity, and commitment to every rehearsal room.
Accents
American - Standard, Australian, Canadian, English, South African
Accents (United Kingdom)
English, standard, Lancashire, Liverpool, London, Northern England, Northern Irish, Southern England, Yorkshire
Credits
| Year | Production | Role | Director Company |
|---|---|---|---|
| 2026 |
The Baker's Wife
|
Therese |
Graham Hubbard
Performance Preparation Academy |
| 2025 |
A Christmas Carol
|
Mrs Cratchitt plus various - Lead Female |
Heather Matthews
Northeast Producers |
| 2025 |
Come From Away
|
Captain Beverley Bass |
Rachael Wooding
Performance Preparation Academy |
| 2025 |
Beauty and the Beast - in-training Swing Project
|
Ensemble and Vocal Captain |
Performance Preparation Academy |
| 2022 |
The Sound of Music
|
New Postulant/Nun |
Helen Carter
The Cotswold Savoyards |
| 2019 |
Step in Time
|
Soloist/Multiple Musical Theatre Roles |
Suzanna Segura
Theatre Studio |
| 2017 |
A Little Night Music
|
Fredrika Armfeldt |
Caroline Young
The Cotswold Savoyards |
| 2017 |
Seussical
|
The Sour Kangaroo |
Suzanna Segura/Andy Holloway
Theatre Studio |
| 2016 |
The Snow Queen
|
Gypsy |
Suzanna Segura
Rolling Stock Theatre Company |
| 2016 |
Sweeney Todd
|
Ensemble |
Suzanna Segura
Theatre Studio |
| 2015 |
A Christmas Carol
|
Belinda Cratchitt |
Delyth Jones
IO Theatre Company |
| 2015 |
The Big Meal
|
Girl |
Malcolm Ball
Playhouse Company |
| 2014 |
Les Miserables
|
Ensemble |
Suzanna Segura/Andy Holloway
Theatre Studio |
| 2013 |
Fiddler on the Roof
|
Bielke |
Caroline Young
Playhouse Company |
| 2011 |
Under Milk Wood
|
Girl |
Caroline Young
Playhouse Company |
| 2010 |
It's a Wonderful Life
|
Zuzu Bailey |
Caroline Young
Playhouse Company |
Training
| Year | School | Course |
|---|---|---|
| 2026 |
Performance Preparation Academy
|
Musical Theatre |
| 2023 |
Italia Conti
|
Certificate in Higher Education - Musical Theatre |
- Playing Age
- 16 - 24
- Height
- 5′ 2″
- Ethnicity
- White
- Eye Colour
- Brown
- Hair Colour
- Brown
- Passport
- Yes
- Driving Licence
- Yes